THE DEVIL opens with Taylor at Shannon Airport being refused entry into America by Homeland Security. Even events as serious as murder happen at the periphery of a Jack Taylor narrative, in which everything that happens is subordinate to the needs of Taylor himself. If this conceit represents a literary fourth wall, however, Bruen’s post-modernist approach has long since blown it down. Most literary private eyes are bent on parsing the culture they spring from, examining society through the prism of their own morality in the guise of investigating a particular case. On closer inspection, Taylor reveals himself as unique. A casual glance suggests that he is a conventional genre creation, a tarnished white knight tormented by past failures, his addiction to alcohol and the spectres of those he has been unable to help. Galway private detective Taylor has appeared in seven previous novels, making his debut in THE GUARDS (2001). Where both writers have tended to leave it to the reader to judge whether their protagonists are bedevilled by manifestations of evil or a tortured conscience, Ken Bruen has taken a more literal approach in his latest novel, when his series private eye, Jack Taylor, confronts the Devil himself. John Connolly has long used supernatural elements in his crime novels, and last year Stuart Neville’s THE TWELVE employed the device of an ex-paramilitary killer haunted by the ghosts of his victims. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian ” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. linguistic verve not just on every page but every line.

” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language. conducts a forensic analysis on the anatomy of a story. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters dazzles, beguiles and transcends.

The devil ken bruen